Critical References to 1.4.1

• Aldiss, "The Origins of the Species," par82
• Blumberg, "Frankenstein and the 'Good Cause'," par46
• Bohls, "Standards of Taste," par19
• Bok, "Monstrosity of Representation," par19
• Brooks, "Godlike Science/Unhallowed Arts," par4
• Brown, "Philosophical View of the Gothic Novel," par33
• Cantor, "The Nightmare of Romantic Idealism," par26
• Carson, "Bringing the Author Forward," par20
• Clayton, "Concealed Circuits," par16
• Clubbe, "The Tempest-Toss'd Summer of 1816," par22
• Cottom, "Frankenstein and the Monster of Representation," par6
• Cottom, "Frankenstein and the Monster of Representation," par20
• Crouch, "Davy's Discourse," par6
• Curran, The Scientific Grounding of Frankenstein, par3
• Dutoit, "Re-specting the Face as the Moral (of) Fiction," par19
• Dutoit, "Re-specting the Face as the Moral (of) Fiction," par23
• Dutoit, "Re-specting the Face as the Moral (of) Fiction," par23
• Ferguson, "The Gothicism of the Gothic Novel," par29
• Freeman, "Frankenstein with Kant," par9
• Freeman, "Frankenstein with Kant," par10
• Freeman, "Frankenstein with Kant," par10
• Friedman, "The Blasted Tree," par14
• Gardner, "Mary Shelley's Divine Tragedy," par23
• Gilbert and Gubar, "Horror's Twin," par34
• Gilbert and Gubar, "Horror's Twin," par39
• Gilbert and Gubar, "Horror's Twin," par39
• Goldberg, "Moral and Myth," par16
• Griffin, "Fire and Ice in Frankenstein," par32
• Griffin, "Fire and Ice in Frankenstein," par33
• Griffin, "Fire and Ice in Frankenstein," par38
• Hall, "Horrifying Otherness of Family," par8
• Harvey, "Frankenstein and Caleb Williams," par4
• Heffernan, "Looking at the Monster," par15
• Heffernan, "Looking at the Monster," par16
• Heffernan, "Looking at the Monster," par22
• Heffernan, "Looking at the Monster," par22
• Hetherington, "Creator and Created in Frankenstein," par29
• Hill-Miller, "My Hideous Progeny," par10
• Hill-Miller, "My Hideous Progeny," par14
• Hill-Miller, "My Hideous Progeny," par72
• Hobbs, "Reading the Symptoms," par23
• Hogle, "Frankenstein as Neo-Gothic," par1
• Hogle, "Frankenstein as Neo-Gothic," par14
• Hogle, "Otherness in Frankenstein," par18
• Hume, "Gothic Versus Romantic," par71
• Isaacs, "Creation and Responsibility in Science," par18
• Ketterer, "Metaphoric Matrix," par21
• Kincaid, "Words Cannot Express," par7
• Kincaid, "Words Cannot Express," par7
• Kincaid, "Words Cannot Express," par20
• Knoepflmacher, "Aggression of Daughters," par45
• Lamb, "Frankenstein and Milton's Monstrous Myth," par9
• Levine, "The Ambiguous Heritage of Frankenstein," par6
• Levine, "The Ambiguous Heritage of Frankenstein," par42
• Lew, "The Deceptive Other," par43
• London, "The Spectacle of Masculinity," par12
• London, "The Spectacle of Masculinity," par12
• London, "The Spectacle of Masculinity," par38
• Marshall, "Frankenstein, or Rousseau's Monster," par60
• Marshall, "Frankenstein, or Rousseau's Monster," par103
• McInerney, "The Godlike Science of Letters," par9
• McLane, "Literate Species," par12
• McWhir, "Teaching The Monster To Read," par39
• Mellor, "A Feminist Critique of Science," par30
• Mellor, "Making a Monster," par13
• Mellor, "Making a Monster," par36
• Mellor, "My Hideous Progeny," par15
• Mellor, "Promethean Politics," par21
• Mellor, "Usurping the Female," par16
• Mellor, "Usurping the Female," par19
• Michie, "Frankenstein and Marx's Theories," par10
• Mishra, "Sublime as Desecration/Decreation," par33
• Mishra, "Sublime as Desecration/Decreation," par33
• Moers, "Female Gothic," par9
• Moretti, "The Dialectic of Fear," par6
• Moretti, "The Dialectic of Fear," par9
• Moretti, "The Dialectic of Fear," par9
• Musselwhite, "The Making of a Monster," par27
• Neff, "Hostages to Empire," par23
• Neff, "Hostages to Empire," par26
• Novak, "Gothic Fiction and the Grotesque," par52
• Oates, "Frankenstein's Fallen Angel, par9
• Oates, "Frankenstein's Fallen Angel, par20
• Paulson, "Gothic Fiction and the French Revolution," par43
• Pike, "Resurrection of the Fetish," par12
• Pike, "Resurrection of the Fetish," par12
• Pike, "Resurrection of the Fetish," par13
• Pike, "Resurrection of the Fetish," par18
• Pollin, "Philosophical and Literary Sources," par10
• Pollin, "Philosophical and Literary Sources," par11
• Rowen, "The Making of Frankenstein's Monster," par15
• Rubenstein, "My Accursed Origin," par21
• Rubenstein, "My Accursed Origin," par46
• Rubenstein, "My Accursed Origin," par47
• Rubenstein, "My Accursed Origin," par47
• Rubenstein, "My Accursed Origin," par72
• Shattuck, "Faust and Frankenstein," par66
• Sherwin, "A Psychoaesthetic Reading," par17
• Sherwin, "Creation as Catastrophe," par9
• Sherwin, "Creation as Catastrophe," par39
• Sherwin, "Creation as Catastrophe," par39
• Sherwin, "Creation as Catastrophe," par42
• Smith, "Horror Versus Tragedy," par3
• Smith, "Horror Versus Tragedy," par20
• Spivak, "A Critique of Imperialism," par90
• Sterrenburg, "Politics and Psyche in Frankenstein," par46
• Stevick, "Frankenstein and Comedy," par9
• Twitchell, "Frankenstein and the Anatomy of Horror," par35
• Twitchell, "Frankenstein and Sons," par14
• Twitchell, "Frankenstein and Sons," par33
• Varnado, "Haunted Presence," par21
• Veeder, "The Negative Oedipus," par15
• Veeder, "The Negative Oedipus," par15
• Veeder, "Self-Division and Projection," par27
• Veeder, "Self-Division and Projection," par32
• Vlasopolos, "Frankenstein's Hidden Skeleton," par17
• Waxman, "Frankenstein's Romantic Fate," par18
• Willis, "Frankenstein and the Soul," par7
• Willis, "Frankenstein and the Soul," par11
• Wilt, "Frankenstein as Mystery Play," par19
• Winnett, "Coming Unstrung," par10
• Youngquist, "The Mother, the Daughter, and the Monster," par12
• Youngquist, "The Mother, the Daughter, and the Monster," par16
• Zdanys, "Rasakolnikov and Frankenstein," par15
• Ziolkowski, "Science, Frankenstein, and Myth," par11