Frankenstein -- Articles
- Adams, "Frankenstein's Vegetarian
Monster"
- Aldiss, "The Origins of the
Species"
- Aldrich and Isomaki, "The Woman
Writer as Frankenstein"
- Baldick, "The Monster Speaks"
- Baldick, "Tales of Transgression,
Fables of Industry"
- Balestra, "Technology in a Free
Society"
- Bayer-Berenbaum, "Frankenstein and On
the Night of the Seventh Moon"
- Behrendt, "The Woman Writer's
Fate"
- Bennett, "Feminism and Editing Mary
Wollstonecraft Shelley"
- Berman, "Frankenstein; or, the Modern
Narcissus"
- Bewell, "An Issue of Monstrous
Desire"
- Blumberg, "Frankenstein and the
'Good Cause'"
- Bohls, "Standards of Taste"
- Bok, "Monstrosity of Representation"
- Botting, "Frankenstein, Werther and
the Monster of Love"
- Botting, "Frankenstein and the
Language of Monstrosity"
- Bowerbank, "The Social Order vs. the
Wretch"
- Brooks, "Godlike Science/Unhallowed
Arts"
- Brooks, "What is a Monster?"
- Brown, "Philosophical View of the
Gothic Novel"
- Buchen, "Frankenstein and the Alchemy
of Creation"
- Burwick, "Goethe's Werther and
Frankenstein"
- Cantor, "The Nightmare of Romantic
Idealism"
- Carson, "Bringing the Author
Forward"
- Cavaliero, "Watchers on the
Threshold"
- Claridge, "Parent-Child Tensions in
Frankenstein"
- Clayton, "Concealed Circuits"
- Clemit, "Frankenstein, Mary Shelley's
Myth-Making"
- Clifford, "Caleb Williams and
Frankenstein"
- Clubbe, "The Tempest-Toss'd Summer of
1816"
- Conger, "A German Ancestor for
Shelley's Monster"
- Cottom, "Frankenstein and the Monster
of Representation"
- Covi, "The Matrushka Monster"
- Crawford, "Wading Through
Slaughter"
- Crisman, "Now Misery Has Come
Home"
- Crossley, "Artefacts from the
Museums of Science Fiction"
- Crouch, "Davy's Discourse"
- Curran, "The Siege of Hateful
Contraries"
- Curran, "The Scientific Grounding of
Frankenstein"
- Davis, "Frankenstein and the Subversion
of the Masculine Voice"
- Dickerson, "The Ghost of a Self"
- Dunn, "Narrative Distance in
Frankenstein"
- Dutoit, "Re-specting the Face as the
Moral (of) Fiction"
- Eichler, "Frankenstein and the Rocky
Horror Picture Show"
- Ellis, "Mary Shelley's Embattled
Garden"
- Ellis, "Monsters in the Garden"
- Favret, "The Letters of
Frankenstein"
- Ferguson, "The Gothicism of the
Gothic Novel"
- Fleck, "Mary Shelley's Notes to
Shelley's Poems"
- Forry, "An Early Conflict Involving
Presumption"
- Forry, "Dramatizations of
Frankenstein"
- Foust, "Monstrous Image"
- Freeman, "Frankenstein with Kant"
- Friedman, "The Blasted Tree"
- Gardner, "Mary Shelley's Divine
Tragedy"
- Gilbert and Gubar, "Horror's
Twin"
- Goldberg, "Moral and Myth"
- Goodwin, "Domesticity and Uncanny
Kitsch"
- Griffin, "Fire and Ice in
Frankenstein"
- Gross and Gross, "Joseph Grimaldi: An
Influence"
- Haggerty, "Frankenstein and the
Unnameable"
- Hall, "Horrifying Otherness of
Family"
- Harvey, "Frankenstein and Caleb
Williams"
- Heffernan, "Looking at the
Monster"
- Hetherington, "Creator and Created in
Mary Shelley's Frankenstein"
- Higdon, "Frankenstein as Founding Myth
in The Far Side"
- Hill, "Frankenstein and the Physiognomy
of Desire"
- Hill-Miller, "My Hideous
Progeny"
- Hindle, "Vital Matters"
- Hobbs, "Reading the Symptoms"
- Hodges, "Feminine Subversion of
the Novel"
- Hoehn, "The First Season of
Presumption!"
- Hogle, "Frankenstein as Neo-Gothic"
- Hogle, "Otherness in Frankenstein"
- Homans, "Bearing Demons"
- Hume, "Gothic Versus Romantic"
- Isaacs, "Creation and Responsibility
in Science"
- Jackson, "Narcissism and Beyond"
- Jacobus, "Is There a Woman in This
Text?"
- Johnson, "My Monster/My Self"
- Keech, "The Survival of the Gothic
Response"
- Kestner, "Narcissism as Symptom and
Structure"
- Ketterer, "Metaphoric Matrix"
- Ketterer, "The Corrected
Frankenstein"
- Keyishian, "Vindictiveness and the
Search for Glory"
- Kiceluk, "Made in His Image:
Frankenstein's Daughters"
- Kiely, "Frankenstein"
- Kincaid, "Words Cannot Express"
- Knoepflmacher, "Aggression of
Daughters"
- Kroeber, "Science Fiction vs.
Fantasy"
- Lamb, "Frankenstein and Milton's
Monstrous Myth"
- Leader, "Parenting Frankenstein"
- Levine, "The Ambiguous Heritage of
Frankenstein"
- Levine, "The Pattern"
- Levine, "The Tradition of
Realism"
- Lew, "The Deceptive Other"
- Lewis, "Frankenstein and Owen
Warland"
- London, "The Spectacle of
Masculinity"
- Lovell, "Byron and Mary Shelley"
- Loveridge, "Another Monster in
Frankenstein?"
- Lowe-Evans, "The Civil Servant"
- Lowe-Evans, "Minor Rites"
- Malamud, "The Gothic Voice in The
Waste Land"
- Malchow, "Frankenstein's Monster and Images of
Race"
- Manson and Stewart, "Frankenstein and
Failed Unity"
- Marder, "The Mother Tongue"
- Margolis, "Lost Baggage"
- Marshall, "Frankenstein and the 1832
Anatomy Act"
- Marshall, "Frankenstein, or
Rousseau's Monster"
- Massey, "Singles and Doubles"
- May, "Sibling Revelry"
- Mays, "Frankenstein, Mary Shelley's
Black Theodicy"
- McInerney, "The Godlike Science of
Letters"
- McInerney, "Satanic Conceits"
- McLane, "Literate Species"
- McLeod, "Frankenstein: Unbound and
Otherwise"
- McWhir, "Teaching The Monster To
Read"
- Mellor, "A Feminist Critique of
Science"
- Mellor, "A Feminist Critique of
Science, II"
- Mellor, "Making a Monster"
- Mellor, "My Hideous Progeny"
- Mellor, "Promethean Politics"
- Mellor, "Usurping the Female"
- Mellor, "Problems of Perception"
- Mellor, "Revising Frankenstein"
- Michie, "Frankenstein and Marx's
Theories"
- Miller, "The Being and Becoming of
Frankenstein"
- Mishra, "Sublime as
Desecration/Decreation"
- Moers, "Female Gothic"
- Moretti, "The Dialectic of Fear"
- Morse, "The Transposition of
Gothic"
- Murray, "Changes in the 1823
Edition"
- Murray, "Shelley's Contribution to
Frankenstein"
- Musselwhite, "The Making of a
Monster"
- Neff, "Frankenstein and the Empire of the
Nairs"
- Neff, "Hostages to Empire"
- Newman, "Mary and the Monster"
- Newman, "Narratives of Seduction"
- Nichols, "The Acting of Thomas Potter
Cooke"
- Novak, "Gothic Fiction and the
Grotesque"
- Oates, "Frankenstein's Fallen Angel
- O'Flinn, "Production and
Reproduction"
- O'Rourke, "Nothing More
Unnatural"
- Paulson, "Gothic Fiction and the
French Revolution"
- Pike, "Resurrection of the Fetish"
- Ping, "The Majesty of Goodness"
- Pitcher, "Fitzgerald's
Frankenstein"
- Pitcher, "Frankenstein as Short
Fiction"
- Pollin, "Philosophical and Literary
Sources"
- Poovey, "My Hideous Progeny"
- Randel, "The Intertextuality of
Mountains"
- Rauch, "The Monstrous Body of
Knowledge"
- Reed, "Will and Fate in
Frankenstein"
- Restuccia, "Female Gothic
Writing"
- Richardson, "From Emile to
Frankenstein"
- Rieger, "Dr. Polidori and the Genesis
of Frankenstein"
- Roberts, "The Paradigm of
Frankenstein"
- Roberts, "Immortality, Gender and
the Rosy Cross"
- Rose, "Custody Battles"
- Ross, "The Limits of Rivalry"
- Rowen, "The Making of Frankenstein's
Monster"
- Rubenstein, "My Accursed Origin"
- Ryan, "Mary Shelley's Christian
Monster"
- Sanderson, "Glutting the Maw of
Death"
- Sayres, "Compounding the Crime"
- Schopf, "Of what a strange nature is
knowledge!"
- Scott, "Vital Artifice . . .
the Psychopolitical Integrity"
- Scrivener, "Frankenstein's Ghost
Story"
- Sedgwick, "Toward the Gothic"
- Seed, "Frankenstein -- Parable or
Spectacle?"
- Shattuck, "Faust and
Frankenstein"
- Sherwin, "A Psychoaesthetic
Reading"
- Sherwin, "Creation as
Catastrophe"
- Slusser, "The Frankenstein
Barrier"
- Small, "Godwin and Godwinism"
- Small, "Shelley and Frankenstein"
- Smith, "Horror Versus Tragedy"
- Soyka, "Frankenstein and the Miltonic
Creation of Evil"
- Spector, "Science Fiction and the Sex
War"
- Spivak, "A Critique of
Imperialism"
- Stableford, "Frankenstein and the
Origins of Science Fiction"
- Stein, "Monsters and Madwomen"
- Sterrenburg, "Politics and Psyche in
Frankenstein"
- Stevick, "Frankenstein and
Comedy"
- Sullivan, "Race, Gender, and
Imperial Ideology"
- Swingle, "Poets, Novelists, and the
Romantic Situation"
- Swingle, "Frankenstein's Monster and
Its Romantic Relatives"
- Tannenbaum, "From Filthy Type to
Truth"
- Thomas, "Recovering Nightmares"
- Tillotson, "A Forced Solitude"
- Todd, "Frankenstein's Daughter"
- Twitchell, "Frankenstein and the
Anatomy of Horror"
- Twitchell, "Frankenstein and
Sons"
- Varnado, "Haunted Presence"
- Veeder, "The Negative Oedipus"
- Veeder, "Self-Division and
Projection"
- Wade, "Shelley and the Miltonic
Element"
- Waxman, "Frankenstein's Romantic
Fate"
- Weissman, "The Complaint of a
Political Wife"
- Weissman, "Fiends and Families"
- Wexelblatt, "The Ambivalence of
Frankenstein"
- Willis, "Frankenstein and the
Soul"
- Wilt, "Frankenstein as Mystery Play"
- Winnett, "Coming Unstrung"
- Young, "The Monster Within"
- Youngquist, "The Mother, the Daughter,
and the Monster"
- Zdanys, "Rasakolnikov and
Frankenstein"
- Ziolkowski, "Science, Frankenstein,
and Myth"
- Zonana, "Safie's Letters as the
Feminist Core"