Critical References to 1.3.6

• Aldiss, "The Origins of the Species," par117
• Aldiss, "The Origins of the Species," par119
• Baldick, "The Monster Speaks," par30
• Baldick, "The Monster Speaks," par43
• Berman, "Frankenstein; or, the Modern Narcissus," par3
• Berman, "Frankenstein; or, the Modern Narcissus," par13
• Berman, "Frankenstein; or, the Modern Narcissus," par37
• Bewell, "An Issue of Monstrous Desire," par20
• Bewell, "An Issue of Monstrous Desire," par20
• Blumberg, "Frankenstein and the 'Good Cause,'" par35
• Blumberg, "Frankenstein and the 'Good Cause,'" par56
• Bohls, "Standards of Taste," par16
• Botting, "Frankenstein, Werther and the Monster of Love," par21
• Botting, "Frankenstein, Werther and the Monster of Love," par61
• Botting, "Frankenstein and the Language of Monstrosity," par13
• Brooks, "Godlike Science/Unhallowed Arts," par24
• Brooks, "Godlike Science/Unhallowed Arts," par24
• Brooks, "What is a Monster?," par30
• Brown, "Philosophical View of the Gothic Novel," par22
• Brown, "Philosophical View of the Gothic Novel," par27
• Cantor, "The Nightmare of Romantic Idealism," par16
• Cantor, "The Nightmare of Romantic Idealism," par23
• Cantor, "The Nightmare of Romantic Idealism," par25
• Clemit, "Frankenstein, Mary Shelley's Myth-Making," par35
• Clemit, "Frankenstein, Mary Shelley's Myth-Making," par44
• Clemit, "Frankenstein, Mary Shelley's Myth-Making," par45
• Cottom, "Frankenstein and the Monster of Representation," par10
• Crawford, "Wading Through Slaughter," par8
• Crouch, "Davy's Discourse," par10
• Crouch, "Davy's Discourse," par11
• Curran, The Scientific Grounding of Frankenstein, par18
• Dunn, "Narrative Distance in Frankenstein," par11
• Dunn, "Narrative Distance in Frankenstein," par15
• Favret, "The Letters of Frankenstein," par19
• Favret, "The Letters of Frankenstein," par49
• Favret, "The Body in Frankenstein,"
• Favret, "The Body in Frankenstein,"
• Ferguson, "The Gothicism of the Gothic Novel," par33
• Fleck, "Mary Shelley's Notes to Shelley's Poems," par24
• Fleck, "Mary Shelley's Notes to Shelley's Poems," par24
• Fleck, "Mary Shelley's Notes to Shelley's Poems," par25
• Fleck, "Mary Shelley's Notes to Shelley's Poems," par30
• Foust, "Monstrous Image," par11
• Friedman, "The Blasted Tree," par11
• Gardner, "Mary Shelley's Divine Tragedy," par23
• Gardner, "Mary Shelley's Divine Tragedy," par24
• Gilbert and Gubar, "Horror's Twin," par39
• Gilbert and Gubar, "Horror's Twin," par39
• Gilbert and Gubar, "Horror's Twin," par39
• Gilbert and Gubar, "Horror's Twin," par41
• Griffin, "Fire and Ice in Frankenstein," par32
• Haggerty, "Frankenstein and the Unnameable," par35
• Hall, "Horrifying Otherness of Family," par20
• Harvey, "Frankenstein and Caleb Williams," par4
• Heffernan, "Looking at the Monster," par18
• Heffernan, "Looking at the Monster," par24
• Heffernan, "Looking at the Monster," par98
• Hetherington, "Creator and Created in Frankenstein," par19
• Hetherington, "Creator and Created in Frankenstein," par24
• Hill-Miller, "My Hideous Progeny," par10
• Hill-Miller, "My Hideous Progeny," par10
• Hill-Miller, "My Hideous Progeny," par11
• Hill-Miller, "My Hideous Progeny," par13
• Hindle, "Vital Matters," par12
• Hindle, "Vital Matters," par27
• Hobbs, "Reading the Symptoms," par23
• Devon Hodges, "Feminine Subversion of the Novel," par16
• Hogle, "Frankenstein as Neo-Gothic," par28
• Hogle, "Frankenstein as Neo-Gothic," par32
• Hogle, "Otherness in Frankenstein," par17
• Homans, "Bearing Demons," par6
• Hume, "Gothic Versus Romantic," par70
• Isaacs, "Creation and Responsibility in Science," par8
• Isaacs, "Creation and Responsibility in Science," par16
• Isaacs, "Creation and Responsibility in Science," par71
• Ketterer, "Metaphoric Matrix," par18
• Ketterer, "Metaphoric Matrix," par29
• Keyishian, "Vindictiveness and the Search for Glory,"
• Kiely, "Frankenstein," par16
• Kiely, "Frankenstein," par16
• Kiely, "Frankenstein," par18
• Kincaid, "Words Cannot Express," par72
• Knoepflmacher, "Aggression of Daughters," par37
• Knoepflmacher, "Aggression of Daughters," par40
• Knoepflmacher, "Aggression of Daughters," par45
• Kroeber, "Science Fiction vs. Fantasy," par20
• Kroeber, "Science Fiction vs. Fantasy," par22
• Leader, "Parenting Frankenstein," par9
• Levine, "The Ambiguous Heritage of Frankenstein," par9
• Levine, "The Ambiguous Heritage of Frankenstein," par22
• London, "The Spectacle of Masculinity," par37
• Malamud, "The Gothic Voice in The Waste Land," par8
• Manson and Stewart, "Frankenstein and Failed Unity," par8
• Marshall, "Frankenstein, or Rousseau's Monster," par21
• Marshall, "Frankenstein, or Rousseau's Monster," par26
• Marshall, "Frankenstein, or Rousseau's Monster," par46
• Marshall, "Frankenstein, or Rousseau's Monster," par60
• Marshall, "Frankenstein, or Rousseau's Monster," par193
• Marshall, "Frankenstein and the 1832 Anatomy Act," par14
• McInerney, "Satanic Conceits," par14
• McInerney, "Satanic Conceits," par14
• McInerney, "Satanic Conceits," par18
• McLane, "Literate Species," par11
• McLane, "Literate Species," par12
• McLane, "Literate Species," par12
• McLane, "Literate Species," par12
• McLane, "Literate Species," par38
• McLeod, "Frankenstein: Unbound and Otherwise," par6
• McWhir, "Teaching The Monster To Read," par19
• Mellor, "A Feminist Critique of Science," par24
• Mellor, "A Feminist Critique of Science," par42
• Mellor, "A Feminist Critique of Science," par42
• Mellor, "A Feminist Critique of Science, II," par5
• Mellor, "A Feminist Critique of Science, II," par7
• Mellor, "A Feminist Critique of Science, II," par14
• Mellor, "Making a Monster," par13
• Mellor, "My Hideous Progeny," par31
• Mellor, "Promethean Politics," par3
• Mellor, "Promethean Politics," par11
• Mellor, "Promethean Politics," par12
• Mellor, "Usurping the Female," par3
• Mellor, "Usurping the Female," par17
• Miller, "The Being and Becoming of Frankenstein," par7
• Miller, "The Being and Becoming of Frankenstein," par8
• Miller, "The Being and Becoming of Frankenstein," par9
• Miller, "The Being and Becoming of Frankenstein," par9
• Mishra, "Sublime as Desecration/Decreation," par20
• Mishra, "Sublime as Desecration/Decreation," par32
• Moers, "Female Gothic," par16
• Moers, "Female Gothic," par21
• Moretti, "The Dialectic of Fear," par7
• Morse, "The Transposition of Gothic," par129
• Musselwhite, "The Making of a Monster," par15
• Musselwhite, "The Making of a Monster," par28
• Newman, "Mary and the Monster," par56
• Newman, "Narratives of Seduction," par32
• Oates, "Frankenstein's Fallen Angel," par12
• Oates, "Frankenstein's Fallen Angel," par17
• Oates, "Frankenstein's Fallen Angel," par18
• O'Flinn, "Production and Reproduction," par16
• O'Rourke, "Nothing More Unnatural," par17
• Paulson, "Gothic Fiction and the French Revolution," par41
• Pike, "Resurrection of the Fetish," par12
• Ping, "The Majesty of Goodness," par7
• Pollin, "Philosophical and Literary Sources," par6
• Pollin, "Philosophical and Literary Sources," par13
• Poovey, "My Hideous Progeny," par20
• Poovey, "My Hideous Progeny," par21
• Poovey, "My Hideous Progeny," par29
• Randel, "The Intertextuality of Mountains," par21
• Randel, "The Intertextuality of Mountains," par22
• Randel, "The Intertextuality of Mountains," par23
• Randel, "The Intertextuality of Mountains," par23
• Randel, "The Intertextuality of Mountains," par23
• Rauch, "The Monstrous Body of Knowledge," par24
• Reed, "Will and Fate," par11
• Richardson, "From Emile to Frankenstein," par9
• Rose, "Custody Battles," par43
• Rose, "Custody Battles," par85
• Rowen, "The Making of Frankenstein's Monster," par17
• Rubenstein, "My Accursed Origin," par37
• Scott, "Vital Artifice," par21
• Scott, "Vital Artifice," par45
• Sherwin, "A Psychoaesthetic Reading," par1
• Sherwin, "A Psychoaesthetic Reading," par15
• Sherwin, "A Psychoaesthetic Reading," par16
• Sherwin, "A Psychoaesthetic Reading," par16
• Sherwin, "Creation as Catastrophe," par8
• Sherwin, "Creation as Catastrophe," par26
• Sherwin, "Creation as Catastrophe," par34
• Sherwin, "Creation as Catastrophe," par34
• Sherwin, "Creation as Catastrophe," par35
• Sherwin, "Creation as Catastrophe," par36
• Sherwin, "Creation as Catastrophe," par36
• Sherwin, "Creation as Catastrophe," par36
• Sherwin, "Creation as Catastrophe," par40
• Small, "Shelley and Frankenstein," par26
• Small, "Shelley and Frankenstein," par27
• Small, "Shelley and Frankenstein," par27
• Small, "Shelley and Frankenstein," par27
• Smith, "Horror Versus Tragedy," par5
• Soyka, "Frankenstein and the Miltonic Creation of Evil," par15
• Sterrenburg, "Politics and Psyche in Frankenstein," par14
• Sterrenburg, "Politics and Psyche in Frankenstein," par16
• Sterrenburg, "Politics and Psyche in Frankenstein," par17
• Swingle, "Poets, Novelists, and the Romantic Situation," par17
• Swingle, "Frankenstein's Monster and Its Romantic Relatives," par39
• Thomas, "Recovering Nightmares," par38
• Twitchell, "Frankenstein and Sons," par32
• Varnado, "Haunted Presence," par20
• Veeder, "Self-Division and Projection," par27
• Veeder, "Self-Division and Projection," par27
• Veeder, "Self-Division and Projection," par27
• Veeder, "Self-Division and Projection," par37
• Vlasopolos, "Frankenstein's Hidden Skeleton," par15
• Waxman, "Frankenstein's Romantic Fate," par15
• Waxman, "Frankenstein's Romantic Fate," par15
• Waxman, "Frankenstein's Romantic Fate," par15
• Waxman, "Frankenstein's Romantic Fate," par16
• Waxman, "Frankenstein's Romantic Fate," par19
• Weissman, "The Complaint of a Political Wife," par5
• Weissman, "Fiends and Families," par13
• Willis, "Frankenstein and the Soul," par7
• Willis, "Frankenstein and the Soul," par7
• Willis, "Frankenstein and the Soul," par7
• Willis, "Frankenstein and the Soul," par9
• Wilt, "Frankenstein as Mystery Play," par16
• Wilt, "Frankenstein as Mystery Play," par18
• Winnett, "Coming Unstrung," par17
• Youngquist, "The Mother, the Daughter, and the Monster," par18
• Youngquist, "The Mother, the Daughter, and the Monster," par22
• Youngquist, "The Mother, the Daughter, and the Monster," par22
• Youngquist, "The Mother, the Daughter, and the Monster," par22
• Youngquist, "The Mother, the Daughter, and the Monster," par23
• Youngquist, "The Mother, the Daughter, and the Monster," par32